[News] PRESS CLUB ANNOUNCE ‘ENDLESS MOTION’ TOUR ACROSS AUSTRALIA, THE UK & EUROPE

Having just returned from three weeks burning across Europe and the UK playing at the likes of Download UK as well as Hurricane and Southside festivals in Germany, Melbourne band Press Club today announce the Endless Motion tour for October and November which will see the band play across Australia, the UK, Ireland, France, Germany, Belgium, Switzerland, Austria, Czech and the Netherlands.

AUSTRALIA
13th October – The Cambridge, Newcastle, Awabakal Land
14th October – UOW, Wollongong, Dharawal Land
15th October – Crowbar, Sydney, Gadigal Land
20th October – The Zoo, Brisbane, Turrbal Land
21st October – Brunswick Ballroom, Melbourne, Wurundjeri Land
22nd October – Singing Bird, Frankston, Bunurong Land – All Ages

UK & EUROPE
28th October – Kasbah Club, Limerick, Ireland
29th October – Whelans Upstairs, Dublin, Ireland
31st October – Hyde Park Book Club, Leeds, UK
1st November – Stereo, Glasgow, UK
3rd November – The Flapper, Birmingham, UK
4th November – Deaf Institute, Manchester, UK
5th November – OSLO, London, UK
6th November – The Exchange, Bristol, UK
8th November – 1999, Paris, France
9th November – Trix, Antwerp, Belgium
10th November – Paradiso, Amsterdam, Netherlands
11th November – Vera, Groningen, Netherlands
14th November – Cassiopeia, Berlin, Germany
15th November – Chapeau Rouge, Prague, Czech
16th November – Chelsea, Vienna, Austria
18th November – Bogen F, Zurich, Switzerland
19th November – Strom, Munich, Germany
20th November – MTC, Cologne, Germany

With the promise of more new music imminent to follow up on the critically acclaimed single ‘Cancelled’ which saw support as the BBC Rockest Record, plus spot plays across Radio 1 and BBC 6 Music in the UK. Fans will bear witness to the first taste of new tracks as well as favourites from albums Late Teens and Wasted Energy.

‘Cancelled’ is the first of Press Club’s new self-produced works to see light of day, and despite its title, bears no reference to show cancellations, nor cancel culture. The song’s lyrical content is actually an honest stocktake of one’s former self, in crystallite retrospect. In the engine room Frank Lees (drums) and Iain MacRae (bass) lurch ‘Cancelled’ forward like two indefatigable pistons. The deft guitar work of Greg Rietwyk, at times hostile, becomes the perfect melodious compliment for Foster at the most opportune moments.

The single is delivered with the perfect visual accompaniment shot by longtime collaborator, friend and video director Nick Manuell; the video clip for ‘Cancelled’ captures the fierce grit of the track.